Female character creation elden ring |

Are you ready for UFC 289? This Saturday, one of the greatest female fighters in MMA history, Amanda Nunes, returns to the ring to defend her title against fellow bantamweight Irene Aldana. If you’re looking for ways to watch tonight's battle for the bantamweight title, know this: UFC 289: Nunes vs. Aldana will be available only as a pay-per-view fight through ESPN+, with prelims airing on ESPN and streaming free on ESPN+ for subscribers. Early prelims will also play on UFC Fight Pass. Don't want to miss out on the action? Here’s how to watch UFC 289, including how to order the pay-per-view event, start times and fight card details, how to livestream the fight free with a VPN and more.

🔴✅🏀Live Stream :CLICK HERE TO WATCH NOW

How to watch UFC 289: Nunes vs. Aldana in the US

Date: Saturday, June 10, 2023

Early prelims start time: 7 p.m.

Prelims start time: 8 p.m. ET

Main card start time: 10 p.m. ET

Location: Rogers Arena, Vancouver, Canada

TV/streaming:ESPN+

Free livestream: VPN

Where to stream UFC 289 main card and prelims

How to watch UFC 289 without ESPN+ or PPV in the US:

What time does the UFC fight start?

UFC is heading to Rogers Arena in Vancouver, Canada on Saturday. The PPV fight will kick off with early prelims at 7 p.m. ET, followed by prelims at 8 p.m. ET on ESPN and ESPN+, and the main pay-per-view event scheduled to begin at 10 p.m. ET.

Who is headlining UFC this weekend?

Bantamweight champion Amanda Nunes will defend her title against Irene Aldana in this weekend's UFC 289 PPV event.

The co-main event will see former lightweight champion Charles Oliveira face Beneil Dariush, who is seeking his first shot at the division title.

UFC 289 full card (subject to change)

Main card - 10 p.m. ET (ESPN+ PPV)

• Women's bantamweight: Amanda Nunes (C) vs. Irene Aldana

• Lightweight: Charles Oliveira vs. Beneil Dariush

• Welterweight: Mike Malott vs. Adam Fugitt

• lightweight: Dan Ige vs. Nate Landwehr

• middleweight: Marc-Andre Barriault vs. Eryk Anders

Prelims - 8 p.m. ET (ESPN, ESPN+)

• flyweight: Matt Schnell vs. David Dvorak

• light heavyweight: Khalil Rountree Jr. vs. Nate Daukaus

• middleweight: Nassourdine Imavov vs. Chris Curtis

• featherweight: Hakeem Dawodu vs. Lucas Almeida

Early prelims - 7 p.m. ET (ESPN+, UFC FightPass)

• Bantamweight: Aiemann Zahabi vs. Aoriqileng

• Featherweight: Kyle Nelson vs. Blake Bilder

• Women's strawweight: Diana Belbita vs. Maria Oliveira

• Women's flyweight: Miranda Maverick vs. Jasmine Jasudavicius

I'm having trouble meeting the minimum requirements of 60fps set by the game so I think I would try to tone down the render distance or taking fights is just going to be more painful than I would like for it to be.
I downloaded Elden Ring via fitgirl-repacks(dot)site if that helps, is there any files I can change which lowers the render distance?
Thanks!

Gameplay mechanics: the scene of the demo disc at the time was top down and the playerwas running away from said worm and possibly shooting at it, if not the player shooting at the worm, the npc ally was.Other details: It was a long clean and white hallway, two characters, a male and a female, were doing an investigation of some kind, the two found a dead scientist on the floor of the long hallway, they mentioned the smell on how it smelled rotten before the ground had rumbled and shaked, only for a giant worm to pop out of the ground, swallowing the dead scientist whole before chasing the player character and the ally npc down the long hallway, the ally was shooting at the giant worm from the elevator but the player was running towards the elevator, once the player made it to the elevator the door was shut right away, saving the player and the ally npc. The player character was male and the ally npc was female. This is all I remember at the time.I don't have any other details to give and I know this is really difficult to find, I've spent years trying to find such a game or at the very least it's name, it's been vaguely engraved in the back of my mind and once scared the hell out of me when I was kid.

More specifically, I have issues with Edward’s final transmutation to save Alphonse. I’m actually going to break this down into a couple of different parts because my problems are both in the mechanics of how such a transmutation works as established in the story and the thematic implications of said transmutation on the overall narrative.
Part 1: Issues with the Mechanics of Alchemy and the Gate of Truth
First off, the metaphysics. I know that part of the point of literally any iteration of FMA is that Equivalent Exchange is absolute BS – on a moral level. Scientifically speaking, it’s an absolute truth. The problem that the brothers have is that they treat Equivalent Exchange as a moralistic truth of the universe as much as it is a scientific one. However, just because something isn’t a moral truth doesn’t mean that it still isn’t a scientific truth that the characters have to abide by. As soon as Equivalent Exchange stops being a scientific law, then it stops being a narrative element to explore and just becomes Deus Ex whatever the Mangaka wants.
So, with that being said, what was Equivalent about this Exchange at the end of the series? Edward has to give up his ability to access the truth to pull Alphonse out of the Gate. He’s not materializing matter out of nothing – Alphonse’s body was being held inside the Gate. If it were really Equivalent, then something of equal value (mass, composition, etc.) should have taken its place.
Mind, this is completely ignoring the fact that the original transmutation that got Alphonse’s body into that situation, to begin with, was not an equivalent exchange either. Almost explicitly so - Alphonse and Edward both accessed the Truth when they tried to bring their mother back, Edward lost his leg and Alphonse lost his everything. Where is the equivalence in that? The only thing I can think of is that a set amount of mass was required to be taken in exchange for seeing the Truth and the Truth itself treated Edward and Alphonse as a single entity with Alphonse taking the brunt of the exchange. However, the problem with that is that the brothers are objectively not one entity – they are two separate individuals. So, then why not give them the same treatment to begin with? All things being equal, either both brothers should have become trapped within the Truth or they both should have lost a limb (which is actually more in line with their mentor, Izumi). Mind, this is also the same story that has Edward canonically sacrifice his arm for his brother’s soul, even though those two things aren’t equivalent either (scientifically or otherwise).
And under that assumption, if Equivalent Exchange holds true as a scientific law, then when Edward pulled Alphonse out of the Gate, he should have been able to do so without having to sacrifice his ability to transmute. After all, if Alphonse got placed inside of the Gate because of an inequivalent exchange and the world does operate on the law of equivalent exchange (at least scientifically speaking) then the only way to make inequivalent exchange equivalent again is to undo it – releasing Alphonse’s body from the Gate free of charge.
Of course, on a meta-level, all this talk about the metaphysics of the Gate and the Truth kind of just feels like a bunch of theoretical nonsense anyways. A handwaved excuse bending over backward to desperately explain why something is one way and not another.
It's needlessly overcomplicated and there’s already a perfectly rational explanation of where Alphonse’s body went from the very start of the series – that horrifying corpse thing the brothers made as a result of their botched human transmutation. After all, a body disappeared and something like a body then appeared. It wouldn’t take a genius to put together where the body probably went.
In fact, this would also do a better job of explaining how Edward was able to transmute his brother’s soul into the armor and why they couldn’t do it for Tricia’s soul. Alphonse’s soul is right there, dying in a malformed corpse, but still alive, at least for the time being. Edward losing his arm could be chalked up to a rebound (hey, remember those were supposed to be a thing?) caused by him not really understanding what he was doing.
But Arakawa didn’t want to go with that obvious route because of where it led. If Alphonse’s body was turned into that horrifying corpse thing, then there wouldn’t exactly be a convenient way to restore Alphonse and get the happily ever after that she wanted for the character. After all, his body obviously can’t be both trapped within the Gate and a pile of malformed organs on the floor, now could it?
And this, I think, leads into my other – more prominent - issues with Edward’s final human transmutation.
Part 2: The Thematic Impact of Human Transmutation in FMA
I think my problems with the brothers ending in Brotherhood can really be summarized with a single scene:
Alphonse (at the end of the series, having finally gotten his body back): “Hey, Ed. I’ve been thinking about something.”
Edward: “Me too. I think we should bring Mom back.”
Now, I know, I know. This is a non-cannon outtake made by Studio Bones meant to be taken as a joke. But as a wise man once said, ‘What is a joke but an ugly truth with a punchline?” And while I don’t think that’s always true, it certainly applies here.
Because here’s the thing; the brothers – even up to their very last scenes – never changed. They never grew. They never learned.
The beginning of Full Metal Alchemist, starts off with a simple question about death – what do we do about uncomfortable truths? Whether it be the Manga, 2003, or the second episode of Brotherhood (the first one was trying to do something else entirely), every single iteration of FMA begins with this question in some way – whether it be Rose struggling between Cornello’s lies and the ugly truth that her boyfriend is dead and will never return, or the brother’s botched human transmutation to bring their dead mother back, or the Military’s genocide of the Ishvallan people, or the brother’s reaction to learning that Shou Tucker turning his daughter into a chimera to retain his State Alchemist’s and that he had done the same to his wife two years prior, the story of early FMA was all about unfortunate and terrible truths and how people came to terms with them.
And how did FMA propose one to deal with such truths? Not through human transmutation, that’s for sure. Whether it be Tucker’s human transmutation of Nina to retain his State License, the brother’s botched human transmutation, or them advising Rose against doing the same, the answer to the question is never human transmutation.
And that makes sense – human transmutation is effectively an erasure of that terrible truth that the transmuter is trying undo - an attempt to go back to before the character was aware of that unfortunate truth or else to write it out of existence. It is the narrative equivalent of burying one’s head in the sand and closing their eyes to something they don’t want to see. And any character who attempts to do this is rightly punished for their actions. Edward and Alphonse are punished. Izumi is punished. Shou Tucker is punished.
But if human transmutation is the failure condition of the FMA story, then why are the Manga and Brotherhood having Edward perform human transmutation and then rewarding him for it? That is literally the same mistake that got him and his brother into this predicament to begin with!
If Brotherhood had held the brothers’ narrative actions to its thematic consequence, then what we should have seen was Alphonse trade his soul for Edward’s arm – which then materializes over Edward’s auto-mail plate, causing the arm to be unusable and will need to be removed following the fight. Let’s say that Edward survives the ensuing fight with Father and defeats him, as per cannon, and then tries to bring back Alphonse by sacrificing his ability to transmute to restore Alphonse’s body to reality only for Alphonse to immediately collapse dead due to the terrible state that his body was in from being left in the Gate for so long, leaving Edward off both without his brother and the ability to perform alchemy.
Sure, it’s brutal and definitely a downer way to end the series off on, but it is thematically appropriate as the brothers ultimately failed to learn from their mistakes the last time around and ultimately repeated them. They tried to turn back the clock and undo a truth that they didn’t like – which is what got them into their situation to begin with.
And really, when you think about it, thematically speaking, if the brothers could undo their past mistakes and restore Alphonse effectively from death, then what’s stopping them from trying it again with others? Why not try to bring back their mother like the outtake pokes fun at? Or resurrect Maes Hughes? Or resurrect Nina? Where does the buck stop? And if they can’t do that, then why should they with Alphonse? What makes him so special? Doesn’t Hughes deserve to live a long, happy life with his family? Doesn’t Nina? After all, we’re not exactly capable of resurrecting the dead in our world now are we? Wasn’t this series supposed to be about accepting unfortunate truths? What’s a more unfortunate truth than
My point here is that Brotherhood tries to have it both ways – it both wants to be a story that says that you cannot undo the past, while also having the main protagonists that succeed at doing just that. It wants to be a story that pushes for this idea of accepting the truth no matter how ugly that truth might be, while simultaneously refusing to face the ugly truths that are being set up by its own narrative.
Part 3 : 2003
Now, you may be pointing out right now that 2003 had the brothers do the exact same thing as what Brotherhood did and yet I’m not criticizing that series for doing so. And no, I am not. But that’s because I think the way that series ended was making a point that the brothers had made the wrong decision. After all, the brothers end up separated and in much worse situations than they began with. It’s an ending made with the understanding of the right answer is to their situation and purposefully choosing not to take it, whereas Brotherhood by contrast tried to cover its eyes and ignore said answer.
Part 4: Letting Go
And what is that answer? Well, Edward’s actually already told us. Back in the second chapter of the Manga, at the end of the Liore arc, when Rose is left wondering what she is supposed to do now that she knows the truth that she cannot get her dead boyfriend back, Edward tells her to stand on her own two feet and move forward.
This is also reinforced in the lyrics to the FMA musical number “Brothers” of all things. The lyrics themselves are framed as an interaction between Edward, who’s apologizing to Alphonse for “shattering his [Alphonse’s] chance to live” and lamenting that “there is no cure for death.” The final two lines of that song are “What’s gone is forever lost. Now all we can do is live.”
This is something that should have been the crux of Izumi’s character. With her philosophy of the One and All, she should have scolded the brothers for repeating the same mistakes that resulted in their situation to begin with and advocated for them to give up their quest for the Philosopher’s Stone and seek to restore their bodies. That is, after all, what she has done – to live out her remaining days surrounded by those close to her.
So, what’s the thematically correct answer to the brothers’ problem? It’s for Alphonse to die and Edward to come to terms with said death and not try to resurrect him. And yes, it does have to be Alphonse. Why?
Part 5: Alphonse Elric, the Golem
Alphonse Elric – as far as his character design is concerned - is effectively a golem. Almost as stock standard a golem as you can possibly get, actually. Now while most people just think of golems as being a standard fantasy monster, they actually have a deep lore with Jewish folklore.
How so? Well, generally speaking, a golem was a construct created from some inorganic material (traditionally clay) and was powered by the name of God being inscribed on either the tongue or forehead of the creation. Seeing the parallels with Alphonse yet?
Now, while there is a huge variation in Golem stories, they almost always have some elements in common – namely a.) they were created to fulfill a specific role such as defending a Jewish community or doing menial labor and b.) they are only ever meant to be temporary. Typically, a golem would have to be shut down or decommissioned on the Sabbath and a lot of Golem stories often about situations where the creator of the Golem doesn’t do that, causing said Golem to go on a rampage and cause some sort of devastation, resulting in the creator having to destroy the Golem.
So, with this understanding of what a Golem is and the general lore of what makes a golem what it is, let’s apply all of this to Alphonse. And with that, I’m going to start with a seemingly simple question – how is Alphonse moving around?
Well, if Equivalent Exchange still holds true as a scientific law, then something has to be powering Alphonse's armor to move. Now, for this situation, I’m going to throw out Brotherhood’s explanation that his body is trapped within the Gate of Truth because I think that answer is just a hand-waved excuse so that nobody has to think about the ramifications of what is actually going on. This is FMA after all, and FMA – as it introduced itself - is a story about facing and accepting terrible truths, so what’s the terrible truth about this situation?
Ultimately, excluding Brotherhood, there are really only two possible answers here – either the power is coming from the armor or it’s coming from Alphonse’s soul attached to the armor. And the armor itself clearly isn’t undergoing some sort of alchemical transmutation. And we already know that souls can be used as a power source in FMA’s universe. And it would certainly tie into Alphonse's connection with golems and their folklore.
And frankly, I can’t think of a crueler karmic punishment for Edward than causing the destruction of his brother’s soul because he couldn’t accept the possibility of living without said brother and ultimately be forced to watch his beloved brother descend into madness knowing that he was the one to do this to Alphonse and that it ultimately falls to him to put an end to his brother’s madness.
Needless to say, I know what my next fanfiction project is going to be! Full Metal Alchemist: Requiem, coming soon!
Part 6: Conclusion
In all seriousness though, I do think that it’s a bit of a letdown that Brotherhood is as thematically contradictory as it is. I guess that’s what 2003 is for, but still…
Also, please don’t take any of this criticism as me hating Brotherhood in any way. I do really enjoy the series, even if I am sad that it basically threw out its own premise in favor of ensuring that all the main characters got a happily ever after regardless of whether it made sense or not.
But what do you guys think about all of this? Am I onto something about Brotherhood and its use of Human Transmutation? Or am I just thinking about this way too much? Let me know down below.

(Tags: Angel, Tarzan & Jane, Romance, Slice of Life, Fantasy, Iceland)
41/m, I write as many paragraphs/lines as I feel are needed. Dialogue can be a paragraph or less, scene setting can be five or more. It doesn’t matter a lot to me so long as you’re interested and invested in what we do. If you’re not, say something and we’ll change it up.
I’m on UTC-5, or Central Time, US. I work night audits right now, so I’ll have a lot of downtime. Available times are between 5pm to 10:30pm, then 7:30am-10am Sunday-Thursday. If you’re up late, or work nights, I can always post during work.
I’d like to see your posting frequency to be at least once every other day, though if you’re making huge posts where you take your time, a couple a week is fine. Or several a day! I can post at least 3-4 times daily, depending.
I am chill about this. How good your writing is isn’t that important to me, though I’d love a sample. I write as best I can because I love writing. I just ask you speak to me if there’s a concern, rather than just run and block. I can adjust, but I would rather solve a problem than cut someone out of my life.
Here’s the first image I had of the setting:
Iceland. Perspective suspended in the air over the sea, facing the top of a cliff with a jagged fissure in it, just a few hours before sunset.
"The sun is a starburst of tarnished brass, too old to be gold, too soon to be scarlet, suspended just above the edge. The scattered grasses than lean off the ledge are emerald and look warm to the touch, but just slightly. The air holds the breath of winter within it—the sharp points within a velvet pincushion.
The maw of the cleft is dark. Aged fingers of sunlight reach within, feeding the nesting birds the warmth of its final hours. Flits of feathers echo amidst song shared and repeated by rocks and gulls.
Move down, and the schism narrows, too tight for sunny fingers to squeeze through. Bird calls can still be heard, but now also the ocean that breaks against the rock. The curve and tooth of moss and stone twist the crash into new sounds, hollow and whispering of what else the dark hides.
The cliff itself grows in your periphery; the color of coffee met with cream. It is faceted like the edge of some primitive blade, so that it does not crumble to sand when struck, but cleaves into knives and needles. The surface is a sea of waves in desert hues, each crest a razor to the palm.
Down further now, nearing the tide that grows louder, the gap of black only as wide as your arms outstretched. There are no birds now, but if your eyes adjust, bundles of bats can just be seen, shuddering and stretching as they rouse to fly with the evening stars.
Down, and down, narrower and narrower, louder and louder, until a short tunnel forms, large enough for four men to stand abreast, with four more on their shoulders.
At the end of this short journey, within the cacophony of a hundred waves breaking a hundred shores, there is the very top another tunnel, which would surely be revealed at lowest tide.
A shimmer of golden torchlight dances there like a hearth fire, brighter and warmer than the remains of the sun.”
Can you see it?
Wonderful.
My character has no name, but is called “Aesir” after Norse tradition. He is a man that is not a man, with silver eyes, hair long and black and wild, fair skin and dark furs that cover it. Wings blacker than his hair appear as needed, ethereal, each feather that of a peacock, yet where fake eyes would be, real eyes watch, prismatic and shining in judgement of good or evil.
He does not know how to speak, but can share feelings and visions to convey his intent, in a way he has done with few others.
His purpose is to protect the locals from evil airs and spirits. The people rarely catch sight of him, but are grateful for his work; they place charms to invite his protection: of a pair of raven feathers with two rainbow eyes painted on the wide ends, strung together to the striker of a silver bell, that when the wind blows, the chime rings out to him.
Possible stories we could write together:
A woman—your creation—crashes her ship at the cleft in the rock, needing rescue or saving herself, suddenly standing before him in his cave.
A resident of a local village seeks him out, in search of his help or in gratitude. Perhaps she is declared evil unjustly, perhaps she simply needs to meet him herself.
An arranged companion, selected from the community, to help him in his work protecting the local villages.
In all cases, he will show himself to you, because you are different, in a way you define.
If you would like to make the one that meets my angel, let me know.
Thank you for your time.
-lex

Change the deaigner of the Sorc costume!! The label at the shop says 'Sorcerer", not "Sorceress". Yet the three being sold are designed for female Characters only. We need a decidedly good male style too.

Looking for someone to game with and voice chat while we game.
Would prefer someone who is also 420 friendly so we can do it together. Also open to watching anime, tv shows, or movies together.
I enjoy Elden Ring (help I'm bad), Destiny 2, New World, Grounded, Valheim, Apex (noob at it), No Man's Sky, and ToTK. I'd love for someone to play with me, watch me play, me watch them play, or play together on discord.
I'm liberal and fat. Message me if you're fine with all of that.
Looking for something long term, 21+
Chat request me to talk

I’ve played a lot of games.. a lot of fucking games. I’ve had my psn since day 1 on ps3.
I’ve played God of War(2018), God of War Ragnarok, Horizon Zero Dawn(both) Uncharted(1, 2, 3 &4) Elden Ring, Sekiro, Ghost of Tsushima, Dark Souls(1, 2, & 3) Spider-Man, Infamous, red dead 2, etc.
And I’ve platinum’d 80% of those mentioned..
STILL
if i could go back right now and play just one game all over again…
it’s crazy how not even close it is, that I’m choosing Bloodborne, every day of the fucking week!

Looking for a book about a woman who has a special ability of being able to read and enter peoples minds. She enters the mind of a man who might be in the military or a part of a militaryesque company. female main character is currently being held captive for her ability. Male main character saves her with his team and they end up falling in love. She eventually is kidnapped again. He rerescues her. They end up together and happy. It is not a KGI novel but is similar as it is part of a series about the team and their love interests.

(Tags: Angel, Tarzan & Jane, Romance, Slice of Life, Fantasy, Iceland)
41/m, I write as many paragraphs/lines as I feel are needed. Dialogue can be a paragraph or less, scene setting can be five or more. It doesn’t matter a lot to me so long as you’re interested and invested in what we do. If you’re not, say something and we’ll change it up.
I’m on UTC-5, or Central Time, US. I work night audits right now, so I’ll have a lot of downtime. Available times are between 5pm to 10:30pm, then 7:30am-10am Sunday-Thursday. If you’re up late, or work nights, I can always post during work.
I’d like to see your posting frequency to be at least once every other day, though if you’re making huge posts where you take your time, a couple a week is fine. Or several a day! I can post at least 3-4 times daily, depending.
I am chill about this. How good your writing is isn’t that important to me, though I’d love a sample. I write as best I can because I love writing. I just ask you speak to me if there’s a concern, rather than just run and block. I can adjust, but I would rather solve a problem than cut someone out of my life.
Here’s the first image I had of the setting:
Iceland. Perspective suspended in the air over the sea, facing the top of a cliff with a jagged fissure in it, just a few hours before sunset.
"The sun is a starburst of tarnished brass, too old to be gold, too soon to be scarlet, suspended just above the edge. The scattered grasses than lean off the ledge are emerald and look warm to the touch, but just slightly. The air holds the breath of winter within it—the sharp points within a velvet pincushion.
The maw of the cleft is dark. Aged fingers of sunlight reach within, feeding the nesting birds the warmth of its final hours. Flits of feathers echo amidst song shared and repeated by rocks and gulls.
Move down, and the schism narrows, too tight for sunny fingers to squeeze through. Bird calls can still be heard, but now also the ocean that breaks against the rock. The curve and tooth of moss and stone twist the crash into new sounds, hollow and whispering of what else the dark hides.
The cliff itself grows in your periphery; the color of coffee met with cream. It is faceted like the edge of some primitive blade, so that it does not crumble to sand when struck, but cleaves into knives and needles. The surface is a sea of waves in desert hues, each crest a razor to the palm.
Down further now, nearing the tide that grows louder, the gap of black only as wide as your arms outstretched. There are no birds now, but if your eyes adjust, bundles of bats can just be seen, shuddering and stretching as they rouse to fly with the evening stars.
Down, and down, narrower and narrower, louder and louder, until a short tunnel forms, large enough for four men to stand abreast, with four more on their shoulders.
At the end of this short journey, within the cacophony of a hundred waves breaking a hundred shores, there is the very top another tunnel, which would surely be revealed at lowest tide.
A shimmer of golden torchlight dances there like a hearth fire, brighter and warmer than the remains of the sun.”
Can you see it?
Wonderful.
My character has no name, but is called “Aesir” after Norse tradition. He is a man that is not a man, with silver eyes, hair long and black and wild, fair skin and dark furs that cover it. Wings blacker than his hair appear as needed, ethereal, each feather that of a peacock, yet where fake eyes would be, real eyes watch, prismatic and shining in judgement of good or evil.
He does not know how to speak, but can share feelings and visions to convey his intent, in a way he has done with few others.
His purpose is to protect the locals from evil airs and spirits. The people rarely catch sight of him, but are grateful for his work; they place charms to invite his protection: of a pair of raven feathers with two rainbow eyes painted on the wide ends, strung together to the striker of a silver bell, that when the wind blows, the chime rings out to him.
Possible stories we could write together:
A woman—your creation—crashes her ship at the cleft in the rock, needing rescue or saving herself, suddenly standing before him in his cave.
A resident of a local village seeks him out, in search of his help or in gratitude. Perhaps she is declared evil unjustly, perhaps she simply needs to meet him herself.
An arranged companion, selected from the community, to help him in his work protecting the local villages.
In all cases, he will show himself to you, because you are different, in a way you define.
If you would like to make the one that meets my angel, let me know.
Thank you for your time.
-lex

As I said, I want to play these gorgeous games again in the summer. I know almost every quest(where will it be triggered, how should I progress, what will be the outcome) and characters. And I want some different adventures. I need your mod advices. I play KotOR without mods. I saw something like Mission Vao Jedi mod. I need that for Zaalbar as well. I want something to improve the gameplay. For KotOR 2, I surely have the restored content mod. I also have a Coruscant Jedi temple mod. I want advices for that as well. Lastly, you might be surprised to hear, I haven't finished KotOR 2 as dark sider. Should I? If yes, is it better to be male or female?

Spoilers ahead.
“The fallen leaves tell a story. The great Elden Ring was shattered. In our home, across the fog, the Lands Between.
Now, Queen Marika the Eternal is nowhere to be found, and in the Night of the Black Knives, Godwyn the Golden was the first to perish.
Soon, Marika's offspring, demigods all, claimed the shards of the Elden Ring. The mad taint of their newfound strength triggered the Shattering. A war from which no lord arose. A war leading to abandonment by the Greater Will.”
I know that there is some kind of dramaturgy involved influencing the choice of words. But still, after spending so much time thinking about the lore and then again hearing the intro kind of starting feeling odd.
What’s first
Just a minor issue but: Why does it sound that the it is first the shattering and Marika vanishing and after that it is the night of the black knives? Ingame the presented Order of events goes the other way around. There are theories going around that the timeline Order is different and that the shattering was earlier then pictured, and just with this intro line I can understand where these theories come from.
Get yourself a rune
Why does the intro use the word claim while in the game the word used is “inherited”. If great runes are inherited in kind of a mystical way than every demigod would get his share. Witch would fit that even the shackled Mogh and Morgoth or someone seemingly week like Godrick got one. The first one sounds greedy and, in some way, aggressive.
Not going for the kill
Then there are the mad taint words combined with the words on the war. Painting a very sinister and bad picture on the Demigods. But just take a short look on these wars.
The first defense of Lyndell against Godefroy, likely shown in the cinematic. The items around Morgoth give the impression that the Golden linage is in charge of being the Lord of Lyndell. Which would fit as the linage of the First Elden lord. And given the iconography and the throne in Stormveil it could likely be that Stormveil is also seat of the golden lineage, maybe the seat of the second in line. With Godwyn dead it feels a bit as if Godefroy was there claiming his linage rights, coming from Stormveil to Lyndell. With him he has the Godfrey icon fitting someone claiming his royal birth right. But the “sovereign alliance” won’t let him. The wording itself feels oddly liberate to me, giving an impression that it is something like a kind of anti-royal force. With no god and no lord around and Godwyn dead the rich and mighty might have seen their chance. Or alternatively this alliance is routing for Rhadagon and his linage, wanting Miquella to enter the throne. Most interestingly the alliance wins and they lock Godefroy up, but they do not kill him. So, this first big battle feels more because of heritage than of something all that “mad”.
With that attack Godrick seemed to flee the capital. A bit later likely Morgoth took over and did put the Golden linage back in charge in Lyndell. Fittingly somewhere around that time early after the shattering the Nobles and Aristocrats were thrown out of Lyndell.
Then there is Rhadan marching against Lyndell. There is this picture in the opening with a fight against Margit and the words of Keneth Height describing a march of Rhadan passing Godrick in Stormveill. So, when there was a battle between Margit and Rhadan, they did not go for the kill. For the possible reason: Rhadan seems to be strongly addicted to Godfrey and therefor it would seem likely that he goes for Lyndell to be sure the right one rules over the capital. If he then found Morgoth and did understand an acknowledge his linage, it would fit to just turn around and go back. We find no real evidence for a war of the “foot soldiers” of Rhadan at Lyndell. This would fit Margits fighting style going directly for the champion. And again, there is no kill.
Then we have the march of Malenia to the south. Here comes Godrick likely strengthened by his own grafting and as we are told he lost to Malenia. And again, she does not go for the kill.
It is then in the battle of Aonia we get the only clash where it seems one demigod goes for the live of the other. This is a strong hint. If Malenia is not there for a Great rune, then it is something different she needs Rhadan dead for. Best theory here seems to be that she wants him dead to free the moon, because Miquella needs the moon for his eclipse.
And this is likely all for the direct aggression following the shattering. The next things are likely linked to the arrival of the Tarnished.
For example, Margit protecting Stormveil and therefor Godrick. So, in a way Morgoth does not like Godrick but respects his rule over Stromveil. If Morgoth sees himself as the higher one in the linage order ruling over Lyndell then letting Godfrey rule Stormveil would be quite like it should be. Morgoth seems to drive this protection against the Tarnished even further as along with himself he even stations a Tree sentinel in Limgrave.
Then there is Rykard, whose union with the snake is then finally a small taste of madness, as this seems to trigger the Assault on mount Gelmir from the Lyndell forces. But reading through the items around Rykrad his motivation feels like he wanted to search for an exit of the current state of the world, which is at least a little bit understandable. Along with his longings there is an underlaying aggression against Tarnished. He makes them kill each other and devours the strongest himself.
This is more a short overview and rambling over these issues. But coming back to the topic, the war of the demigods before the Tarnished arrived does not fell all that mad. It did not lead to a new lord or god, but with Rhadagons sealing of the Erdtree are they to blame? In a way they are in the same situation as us. The difference seems to be that there is no real urge for them to kill each other. There are several occasions where they had the chance and didn’t do it. This indicates the demigods are not going for Great runes and do kind of respect each other’s live.
Conclusion / Question
The intro draws a bad picture on the demigods. It feels as if there is an urge to heat up the Tarnished to go after them. Is it just the Greater Will at work because the demigods are denounced? The Two fingers in the Hold seem to not even know about the sealing of the Tree and therfor about the pinch of the demigods. Are they therefor kind off falsy accused?
What do you think?

Hi! This is my first post on here and I know this is super niche, but figured I would give it a shot.
I’m on the lookout for some angsty and emotional medical drama romance! I’m in my upper 20s, female, and am in the EST time zone. I roleplay over discord, and have been doing so for several years. I am specifically looking for possible partners interested in OCxOC modern medical drama plots like the following for example:
-Characters are both rival doctors, who at first dislike each other… but are forced to work together, and then slowly fall in love (enemies to lovers anyone?)
-Junior doctor develops a crush / falls in love with their senior doctor who is showing them the ropes. Or vice versa, senior doctor crushes on their junior.
Etc etc!! Open to ideas and brain storming!!
The characters don’t necessarily have to be doctors, just as long as it remains a medical romance drama. In an MxF relationship, I would like to play the female. For MxM this depends on the dynamic, so please reach out to discuss.
Things I look for in an rp partner: 1) Please be over 20 years old. 2) Literate to advanced lit. No need for novella style posts, but beautiful narrative is always a plus. 3) Be open to OOC communication and chatting/brainstorming about characters, plot, inspiration etc. 4) Able to reply at least once a day or once every couple days, ideally more often than that. I understand that life takes priority of course, so I wouldn’t be upset about RP breaks as long as they are openly communicated. 5) Some level of medical knowledge would be a HUGE ASSET. Even if it is from watching medical drama shows.
Shoot me a message if any of this piques your interest! Let’s see if we are a good match!

so yeah.. we’ve been together for 11 months now, and he was always into white, blond girls. and i’m. light brown girl with black hair.and i knew that before we got into a relationship ( we were friends first) and i told him at first that i’m not your usual type and stuff but he always said it doesn’t matter that he loves me recently he introduced me to his parents and we were supposed to meet in the summer but about two days ago he installed a game called fallout and he created his character in the game the day after he was acting weird and i asked what happened and he said well the character i created doesn’t look anything like you and that concerns me he said that he loves me too much to hurt me in the future so it might as well be now that i have everything he has ever wanted but i don’t look like what he wants and then he broke up with me and i asked him to delete every video he has of me and to give me back my promise ring he got defensive and was like why are you rushing so much and why are you in a hurry i told him i don’t want to have hope in something that isn’t gonna last and he asked me for a week to think and then maybe finalize the breakup and btw im his first relationship( but i myself have had other experiences), and all of our mutual friends say if it wasn’t for me they wouldn’t be friends with him rn cause he was an arrogant cruel mean boy but he had changed so much in this year that we been together… i’m just confused of how…. i didn’t deserve this..

Well we know it's funded and appears to be funding the Ripcord figure, leaving us with two more figures to be revealed, the question is, what are they? I've heard a lot of speculation and I wanted to go over what I'm hearing, what I would love to see, and what I realistically think it will be.
Let me know your thoughts!
Other People Seem to Think:

Either a Scarlett Pilot in Nightforce colours or a random Gunner girl as an army builder.
General Hawk in Nightforce colours.

What I Want!

I would love to see Doc with stretcher, designed to go over the rails of the dragonfly and connect to the winch. It was put there for a reason after all!
A 1992 style Shipwreck, in full diver gear, ready to jump over the rails and get in the fight. (We have ripcord for high level parachutes, and we would have shipwreck for aquatic play, owing to its inspiration coming from a naval helicopter after all...)
Secret Unlock -> Dr. Lazslo Vandermeer! In the Sunbow cartoon he's rescued from New England by Joes in Dragonfly's - AND, he could come with a sample from the M.A.S.S. Device... feeding the potential for a future iteration to feature that project either through a campaign like the DVD one (in classified scale), or through a future HasLab.

What is Likely to Happen?

A female character in Nightforce gear added in keeping with the HISS unlocks.
A General Hawk or Airborne figure, in Night Force colours.

Hi! This is my first post on here and I know this is super niche, but figured I would give it a shot.
I’m on the lookout for some angsty and emotional medical drama romance! I’m in my upper 20s, female, and am in the EST time zone. I roleplay over discord, and have been doing so for several years. I am specifically looking for possible partners interested in OCxOC modern medical drama plots like the following for example:
-Characters are both rival doctors, who at first dislike each other… but are forced to work together, and then slowly fall in love (enemies to lovers anyone?)
-Junior doctor develops a crush / falls in love with their senior doctor who is showing them the ropes. Or vice versa, senior doctor crushes on their junior.
Etc etc!! Open to ideas and brain storming!!
The characters don’t necessarily have to be doctors, just as long as it remains a medical romance drama. In an MxF relationship, I would like to play the female. For MxM this depends on the dynamic, so please reach out to discuss.
Things I look for in an rp partner: 1) Please be over 20 years old. 2) Literate to advanced lit. No need for novella style posts, but beautiful narrative is always a plus. 3) Be open to OOC communication and chatting/brainstorming about characters, plot, inspiration etc. 4) Able to reply at least once a day or once every couple days, ideally more often than that. I understand that life takes priority of course, so I wouldn’t be upset about RP breaks as long as they are openly communicated. 5) Some level of medical knowledge would be a HUGE ASSET. Even if it is from watching medical drama shows.
Shoot me a message if any of this piques your interest! Let’s see if we are a good match!

Female character creation elden ring

Elden Bling